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Accordingly, the title of the symposium—Taking Measures—can be understood in two ways: as a reference to the practices of measurement with which the use of artistic media is intertwined as well as to the political potential derived from this use. Formats are linked with measurement practices in numerous ways. They are often expressed in metric or numeric data.

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The designation of film formats such as 35mm, 16mm, or 8mm, for example, is determined by the width of the filmstrip, which in turn corresponds to the size and aspect ratio of the single frames, as well as the duration of the film projection at a given frame rate. As units or ensembles of technical specifications, formats are the result of historic processes of industrial standardization that are subject to the laws of uniformity and profitability.

Format standards guarantee technical compatibility as well as economic competitiveness on the global image market. They determine not only the technical conditions under which media operate but also where and by whom they are seen, the speed at which they circulate, the channels through which they are disseminated, and how visible and effective they are.

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Thus, in a broader sense, formats determine the conditions under which images come to be publicly displayed in a social and political regard in the first place. In view of its significance for artistic and curatorial practices, format has recently become the focus of increased attention.

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Despite all the differences one can observe between the theoretical approaches of David Summers, David Joselit, Jonathan Sterne, and Haidee Wasson, they share a common objective, namely to address the contexts of the use of format in specific historical situations through format. Hereby, interest in format is principally focused on artistic practice after art, on the multiple dependencies of artistic production, its technologies, and methods of political and economic interests. The techniques of measuring time and space that have accompanied film and video throughout their history to the present day are subject to various processes of negotiation in the interest of science and politics, industry and commerce.

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Consequently, film and video have themselves served as measuring instruments for scientific and analytical purposes, whereby they are employed beyond exhibition spaces and movie theaters in a variety of fields such as anthropometry, criminology, forensics, physiology, psychology, statistics, operations research, and tactical analysis in sports and military intelligence, respectively.

However, in acknowledging these dependencies, in view of which art jeopardizes its autonomy, also lies the opportunity for art to test its own effectiveness in the public arena and to uncover potentials for resistance in artistic action. Formats indeed regulate the use of artistic media; they are scripts that contain guidelines for action through which historical knowledge and experience is accessed and distributed.

At the same time, however, they are a showplace for negotiating, verifying, or dismissing the knowledge and experience they make available in standardized form. Last but not least, formats represent a particular challenge in the conservation and curation of collections. Sascha um 6 - Talk mit Sascha Heyna. Cottbuser Stadtfest - abgesagt.

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